NOTE: Because the weather prevented me from making it to Atlanta on time earlier in the month, this is now happening on April 27.
I’d say pardon the self-promotion, but if you think a blog isn’t anything other than nonstop self-promotion, you’re delusional. But anyway, some undisguised self-promotion:
The good folks at the SCAD in Atlanta have invited me down to talk to a couple of classes and do a reading. So if you’re in the Atlanta area or simply feel like flying to Atlanta to listen to me jibber-jabber, come on down!
The reading will be Thursday, April 27 at 6:30 p.m. It will be held at Ivy Hall.
Here’s a link to the event page.
Ivy Hall is at 179 Ponce de Leon Ave. Here it is on the map.
Last Friday, the annual Jesse H. Neal Awards Ceremony was held in Manhattan. According to the folks who run the awards, the Neals “are the most prestigious editorial honors in the field of specialized journalism.” I always describe it as the Oscars of B2B journalism.
I wasn’t there last Friday. I don’t work at Ad Age any longer and while the Ad Age family was kind enough to invite me to the ceremony, Cara and I were on our way to Philadelphia. Thankfully, you don’t have to be present to win. Because I finally won. Yours truly took home the award for Best Commentary.
This year’s work included me screaming at the media about their lack of Louisiana flood coverage, me pointing out the absurdity of pharmaceutical advertising, and me noting that gender diversity isn’t the ad industry’s biggest diversity problem.
I was a finalist the previous year and was, indeed, bummed not to win. But the previous year, Ad Age took home so many Neals — and, for its first time in history, The Grand Neal — it didn’t get me too down. Hard to be sad, when you’re forced to go on stage to give an acceptance speech for The Grand Neal and you’re completely unprepared.
So this year, I won for my brilliant commentary on this and that via my Last Word Column in Ad Age. Go me. And congrats to the other folks at Ad Age who won and all the winners I may or may not know.
So yesterday, I spent upwards of 45 minutes scheduling social-media posts to promote my novels. To say it’s not one of my favorite things to do is an understatement.
It’s boring and it also makes me feel cheap and desperate. “Please, please buy my books. Won’t someone please buy my books?!? They’re old but they’re still good!”
There are companies who provide these services. They charge money, of course. The money, however, isn’t the issue. It’s that these companies seem to be followed mostly by other desperate authors who number in the tens of thousands. And the social-media promotion these companies provide is basically: “Here’s a tweet of this author’s book and an off-center picture of the author and/or his book cover.” This tweet is immediately followed by similar tweets for about a hundred other authors. If I’m gonna get tied up with a pimp, I expect more than that. Continue reading “Why Twitter Hearts Are Like Bull Nipples”
There’s a moment that’s hard to describe, when you receive an email with a subject line that includes your name, the title of your next book and the words “Booklist Review.”
For my third novel, Sweet as Cane, Salty as Tears — which is being released next week — the thought process was a three-step one that went something like this.
1. “Hmmmmm. Booklist Review.”
2. “Sweet! Someone reviewed the thing!”
3. “Oh shit. Someone reviewed the thing.”
And then my finger just hung there over the phone. Do I open it? I’m at work. What if it’s bad? What if it shatters my fragile writer’s ego? Equally bad, what if it sends me into a panic the entire three weeks leading up to release?
Continue reading ““I Don’t Care What They Think” and Other Lies Writers Tell”
We’re coming up on the one-year mark since the release of my very first book, The First Annual Grand Prairie Rabbit Festival. And i just want to take a moment to thank every single person out there who read it, bought it, borrowed it, used it in book clubs, talked about it, and gave it to others as gifts (hey, there’s still time for that!). Thanks too for the help on Twitter and Facebook, for taking photos of my baby in places like California and Ohio and Georgia and the Carolinas and Brooklyn and Ireland and even Manhattan.
Continue reading “Thanks for Making My First Time Great”
Way back in my freshman year in college, I was so stupid I didn’t realize how stupid I was. And to be honest, so were my friends. But we all were. We were, 17, 18, 19 and didn’t know any better. And that wasn’t necessarily a bad thing. Startling insight, I know. How did I ever come up with that? And why am I boring you with it now.
Continue reading “Kindness, The Clap and Calvin and Hobbes”
One thing writers like to do is cast the movie version of their own books. It’s especially fun when you have absolutely no sign of a movie deal on the horizon. At any rate, people have asked me before who I’d see playing various people in The First Annual Grand Prairie Rabbit Festival. And I’ve typically been stumped with the part of Father Steve.
Vicky, I always sort of saw as Jennifer Aniston. Don’t judge me.
But Father Steve? George Clooney’s too old and John Krasinski was too tall (and goofy) for my liking. Then, yesterday, while walking up Third Avenue, I saw a movie poster and Paul Rudd’s face was on it.
It’s totally him. I think. Someone make that happen.
Anyone else who read the book, who’d you cast in the various parts?
Miss Rita’s tough as well. Only person I can kinda come up with is Alfree Woodard. Someone who can play older and pull of comedy as well as gravitas. Problem is I picture Miss Rita as pretty skinny. (One Facebook, someone suggested Wanda Sykes, which I kind of dig. You know how comedians like that crossover dramatic roles)
Brother Paul. Hmmm. Robert Duvall. But he’s getting up in age. Maybe John Goodman?